the suspect backpack

Thursday, July 12, 2007

referencing

References
  1. Atak, T. (2006). "Cyborg dancing." RealTime Arts Retrieved 05 October 2006, from http://www.realtimearts.net/inbetweentime/index.html.
  2. Australian War Memorial. (2003). " Black canvas back pack : RAN Boarding Party." Retrieved 2nd April, 2006, from http://cas.awm.gov.au/TST2/cst.acct_master?surl=2012092619ZZETSNSTKGFJ78199&stype=3&simplesearch=&v_umo=&v_product_id=&screen_name=&screen_parms=&screen_type=RIGHT&bvers=5&bplatform=Netscape&bos=MacPPC.
  3. Bogart, L. (1995). Commercial Culture: The Media System and the Public Interest. New York, Oxford University Press.
  4. BoingBoing. (2004). "Case against Steve Kurtz/Critical Art Ensemble continues." Retrieved 3 March 2007, from http://www.boingboing.net/2006/01/15/case_against_steve_k.html.
  5. Chan, J. (2006). Surveillance and the Constitution of ‘Suspicious Packages. Sydney, University of New South Wales.
  6. Co, E. (2004). Puddlejumper. Los Angeles.
  7. Collet, T. and T. Najem (2005). Word Choices in Post-9/11 Speeches and the Identity. Ottawa, Canadian Political Science Association: 7.
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  9. Davies, A. (2005). Dislocation. Melbourne, Experimenta.
  10. Davies, C. (1998). Immersence.
  11. Debatty, R. (2005). "Counter-Surveillance Headdress." Retrieved 1 May, 2006, from http://www.worldchanging.com/archives/003872.html.
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  13. Ga, Z. (2006). The Shipment from China. San Jose.
  14. Gonsalves, T. "Medulla Intimata." Retrieved 18 November, 2006, from http://www.tinagonsalves.com/medulla.html.
  15. Gonsalves, T. (2005). "Mobile Journeys." from http://dlux.org.au/mobilejourneys/tinagonsalves.html.
  16. Graham, B. (1996). Playing with Yourself: Pleasure and Interactive Art. Fractal Dreams.
  17. Hainge, G. D. (2006). Listening to Mediation: Digital Noise in a Post-High-Fidelity Age Mediations, Australasian Computer Music Conference 2006. Adelaide.
  18. Hiller, S. (2000). "Witness." Retrieved 22 February, 2006, from http://www.susanhiller.org/Info/artworks/artworks-Witness.html.
  19. Hoffman, B. (2006). Inside Terrorism. New York, New York, Columbia University Press.
  20. International Association of Chiefs of Police (2005). Suicide (Homicide) Bombers. Training Key 58. IACP, IACP.
  21. Kellner, D. (2002). "September 11, the Media, and War Fever." Television and New Media.
  22. Kerne, A., J. Stenner, et al. (2006). Playas: Homeland Mirage.
  23. Khut, G. P. and L. Muller. (2005). "Cardiomorphologies." Retrieved 12 July 2006, 2006, from http://www.georgekhut.com/cardiomorphologies/.
  24. Lancel, K. and H. Maat (2004). Stalk Show.
  25. Langley, S. (2006). The Suspect Backpack. Canberra.
  26. Langley, S. (2007). Mobile Patters. Canberra.
  27. Lyon, M. L. and J. M. Barbalet (1994). Society’s body: emotion and the "somatization" of social theory. Embodiment and experience : the existential ground of culture and self. T. J. Csordas. New York, Cambridge University Press: 54.
  28. Mann, S. (2003). Telematic Tubs Against Terror.
  29. Mann, S. (2004). "Telematic Tubs against Terror: Bathing in the Immersive Interactive Media of the Post-Cyborg Age." Leonardo 37(5): 372-373.
  30. Manovich, L. (2005) "Understanding Meta-Media." 1000 of Theory Volume: 20. Retrieved September 20, 2006, from http://www.ctheory.net/articles.aspx?id=493.
  31. Mery, D. (2005). "Techie and terrorist behavioural profiles are the same." Retrieved October 24, 2006, from http://gizmonaut.net/bits/profiling.html.
  32. Ming, H. J. (2006). Altitude Zero. San Jose.
  33. Moriwaki, K. (2002). Inside/Outside.
  34. Mott, I., J. Sosnin, et al. (1997). Sound Mapping. Melbourne.
  35. Mueller, L. (2006). Engaging with Experience. Engage, Interaction, Art and Audience Experience. E. Edmonds, L. Mueller and D. Turnbull. Sydney, Creativity and Cognition, University of Sydney: xvii.
  36. Plawiuk, E. W. (1998). "Guernica (1937): Pablo Picasso's Spanish Civil War." Retrieved 3 March, 2007, from http://www.geocities.com/capitolhill/9820/guernica.htm.
  37. Pugliese, J. (2003). "The Locus of the Non: the racial fault-line of "of Middle-Eastern appearance"." Borderlands Journal 2(3).
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  39. Reeders, N. and D. McLeod (2005). The Shy Picture. Melbourne, Experimenta.
  40. Rendell, R. (2006). End in Tears, eBooks.com: the digital book store.
  41. Ríos, J. (2004). "The Painting, Guernica." Retrieved 4 March, 2007, from http://www.guernicamag.com/features/6/the_painting_guernica/.
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  43. Rubidge, S. (2006). Sensuous Geographies and Other Installations: Interfacing the Body and Technology. Performance and technology : practices of virtual embodiment and interactivity. S. Broadhurst and J. Machon. New York, Palgrave Macmillan.
  44. Rucker, U. (2003). Silver or Lead. What a Woman Must Do, !K7.
  45. Rucker, U. (2006). Ma'at Mama. Rant (Hot In Here), !K7.
  46. Rundell, J. (2004). "Strangers, Citizens and Outsiders: Otherness, Multiculturalism and the Cosmopolitan Imaginary in Mobile Societies." Thesis Eleven 78(1): 85-101.
  47. Saul, S. (2006). Experimenta under the radar : an exhibition of Australian media art. Melbourne, Experimenta Media Arts Inc.
  48. Sed, G. (2005). Counter-Surveillance Headdress.
  49. Shackman, M. (2005). Re-enactment: David Mery. London.
  50. Small, J. (1982). Mothers, Daughters, Wives.
  51. Stelarc (1998). Exoskeleton. Melbourne.
  52. Stenner, J. (2006). Playas: Homeland Mirage. San Jose.
  53. Stuckey, H. (2005). "state of play: games with an agenda." Retrieved 05 January, 2007.
  54. The Somner and WFB Consulting Counter-Terrorism. (2002). "Terrorism Articles."
  55. Transmute Collective (2003). Intimate Transactions. Brisbane.
  56. We Make Money Not Art. (2006). "Data Bodies." Retrieved 05 January, 2007, from http://www.we-make-money-not-art.com/archives/cat_isea2006.php.
  57. We Make Money Not Art. (2006). "Trainers for Border Crossers." Retrieved 04 April, 2006, from http://www.we-make-money-not-art.com/archives/008070.php.
  58. Wikipedia. (2007). "Blogosphere." Retrieved 3 March, 2007, from http://en.wikipedia.org/wiki/Blogosphere.
  59. Wikipedia. (2007). "Culture Jamming." Retrieved 26 February, 2007, from http://en.wikipedia.org/wiki/Culture_jamming.
  60. Wikipedia. (2007). "Hijab." Retrieved 3 March, 2007, from http://en.wikipedia.org/wiki/Hijab.
  61. Wikipedia. (2007). "Sousveillance." Retrieved 3 March, 2007, from http://en.wikipedia.org/wiki/Sousveillance.
  62. Wikipedia. (2007). "Tilaka." Retrieved 3 March, 2007, from http://en.wikipedia.org/wiki/Tika.
  63. Zellen, J. (2004). "Disembodied Voices." Retrieved 16 December, 2006, from http://jodyzellen.com/dvx_index.html.
This still constitutes a draft of the references used in the thesis, as I have a more comprehensive list (an re-edit of the document) in progress

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